Friday, March 13, 2009

Claymore (Anime)

Set in a medieval environment, Claymore takes an interesting take on the girls with guns genre swapping the guns with a broadsword (or Claymore).

Starting off, the first few episodes set the foundations of who the Claymore are, and how they are tasked to battle the the Yoma (demons that have crossed into this world whom have a taste for human flesh - guts especially!). Although a tad boring but a necessary set up, the series really doesnt become addictive until episode 4 when we see the backstory of the lead character Clare and the entrance of fan fave Teresa (I love her!).

Although action heavy, as the series progresses the question of "what does it mean to be human" does come into play, as does the concept of fighting for people who fear/dislike you. Clare is a likeable lead, with striking beauty and you can feel the emotions she goes through. Which was a difficult feat to represent given that the Claymore are emotionless killers. Some of the higher level Yoma have interesting designs and you can sense the fear in the characters when they are in battle.

The supporting characters are just as fascinating to watch if not more due to their differing personalities, and if this is show doesnt inspire the ladies for a new hairstyle i dont know what will! ;) This was in my opinion one of the series' strengths, the development and focus on the supporting characters. The sense of camaraderie between the Claymore is apparent and their actions are worth your attention. Also it is refreshing to see the Claymore as intelligent, tough, skilled female warriors without the ecchi factor thrown in which would've made the series a joke. The last 6 episodes do have an epic feeling to them which makes you want to keep watching.
The series is not perfect however. Some of action sequences become generic and slightly boring. I also felt that the fights couldve been a bit more "cooler" for a better choice of words. There is also a tendancy that in a middle of a battle, a long speech or story is given that does ruin the pace, and couldve been handled better - i think this is where the manga is superior and somehow works better when reading. The supporting character of Raki is so annoying and nearly ruined the whole series for me. He is important in Clares development however, but did he really have to be such a whiny, annoying t*t??!! The conclusion to the series was a bit of a let down and didnt make much sense, however the ride getting there was worth the investment, if anything a good introduction to the manga.

The opening and closing themes will grow on you, and the soundtrack - although the guitar riffs sound okay, i think this series wouldve been suited to a more natural orchestral sound track given the lush environments and medieval settings. The rock just didnt seem right, but nothing too distracting to the overall enjoyment, and that what this series is, entertaining.

An overall 8/10.

Speed Grapher

I was on the lookout for as mature anime series - mature in the sense of gritty and adult themed plot - and following some surfing I found this gem - Speed Grapher.

Once the I saw the opening with Duran Duran's Girls on Film, I knew I would like this. The idea of the main character using his camera as a weapon was an interesting concept, kind of reminded me of the horror PS2 game Project Zero (Fatal Frame), and although this series has slight horror by the way of various monsters making their entrance in the show, I felt this series to be more of a action drama.

The relationship between Saiga and Kagura was sweet and core to the series. It was his teachings to Kagura about the reality of the world which was interesting to watch and you can really see their affinity for each other grow as the series progresses. However it was the villain Sitengu who stole the show for me, after seeing his background and motivations in what he is doing and I personally felt - good on him and hope he succeeds, which to have that kind of feeling for the villain for the peice proved to me that this was good story. YOu even start to have feelings for his back up crew of villains, which again I have only seen in Black Lagoon.

I did feel however the series did become a monster of the week scenario, and the series could have been shorter, but its a TV series so I think we all have to live with this!

Fan fave - Ginza was welcome humour relief to the series, however she was a much needed contrast and flip side of the coin in protection Saiga. It was nice to see that similarity portrayed. Plus she fulfilled a guys fantasy of taking control of some situations - if you know what i mean! ;)
With regards to the sexual themes, were they required? I think this aspect is where Speed Grapher was trying too hard to aim for its intended mature audience, and could've been handled better, but I think it was probably a way of enticing people to watch the series,m thankfully it didn't interfer with the story.

Animation wise - not as good as Gonzo could be, but not that bad that it effects enjoyment. Sound track wise - fiited the series well, but nothing too memorable that makes you want to OST.

At 24 episodes not much of investment of time, and if you do like a dark gritty character driven story, and you dont mind some OTT, give Speed Grapher a go, especially past episode 4 where it starts to shine.

An overall 8/10.

Sundome Vol 1-3

Having mostly dark gritty (depressing!) manga in my collection I'd thought I'd branch out and try something different and saw Sundome in my local bookstore. It wrapped up so couldn't preview it, mature series...has to be up my street!!

After reading the first volume (just finished the 3rd) the first word that came into my mind was - PAINFUL. Not in the sense it was a bad read, but due to the feeling I felt for the main character Hideo. His relationship with Kurumi is so fascinating to read, and to see how the guy started off in volume to what kind of guy he has become in just 3 volumes was entertaining to read. I keep questioning to why Kurumi behaves the way she does towards to Hideo, is it because she does like him, or is it because she is a sadist? And that's what keeps me hooked as you want to see how their relationship pans out and develops.

The book actually made me laugh out loud which is very rare. The supporting characters crease me up, but again its great to see their development too.

Is it perverted? yes! is it entertaining? hell yes! is it worth the read - if you don't mind the blatant fan service - although not as bad say Battle Vixens, then give this a go, you'll either like it or hate from volume 1 alone. If you dont like masturbation (?!?) then avoid this manga like the plague! Just got volume 4 so I'll post that review up soon.

Qurbani Review







Having watched this recently I thought i'd write a post about why this film is possibly one of the greatest reasons why you dont fuck with people in the 1970's. One of the best masala films of all time, Qurbani blended together some great, if amusing action, some romance, friendship and a case of the worst road rage ever filmed. The opening funk filled credits are typical of the time zooming over explosion filled screens reminding us why Kalyanji-Anandji were one of a kind in music direction.

Our villains of the piece open the film up, when Rakka (Amrish Puri with hair) refuses to drop charges against his ex-wife's (Jwala - Aruna Irani) brother, Vikram (Shakti Kapoor) after he tried to kill him in retaliation for seducing Jwala and taking all her wealth. Not a very nice guy is he Rakka - he's also not nice to a crippled beggar who tried to clean his car. BUT - all is okay, the beggar gets righteous assistance in the form of hairy chest exposing all round bad ass action dude - Rajesh (Feroz Khan). Why? Because he wears his shirt open to his waist, a medallion round his neck AND a cravat! After trashing Rakka's car he's off to see his girl....the luscious and oh so sexy Sheela (Zeenat Aman) picturising a song that needs no introduction - Nazia Hassan's Aap Jaisa Koi, music by Biddu.
At 16 years old Nazia Hassan's career started here with this song. Known as the sweethart of Pakistan, she passed away on August 13th 2000 from lung cancer aged 35. Along with this song and Boom Boom, she was the reason I got into music of this era. She is sorely missed and will always be remembered.

Rajesh is a professional thief, an occupation he keeps hidden from Sheela for obvious reasons and after being captured by Inspector Amjad Khan, is sent to jail. I have to mention the fight scene between Rajesh and Amjad, although they lack any kind of fighting skills and the obvious presence of trampolines below the view of the camera, this does not stop this fight from being both amusing and exciting. Amjad Khan makes a pretty useless role into a memorable one and the film subsequently revived his career. The banter between both of the Khans are a joy to watch and very amusing. The second hero of the piece is Amar (Vinod Khanna), who lays some serious indian kung fu to some thugs harassing the lovley Sheela in a cafe - while carrying his cute daughter on his shoulder. WTF?! Rajesh and Amar become best friends, and show this by touching, hugging and winking at each other....a lot...and eventually overcome the evil of Jwala and her psychotic brother. The ending was both touching and satisfying. Amar dying and reaching out to his dost Rajesh without a single word being uttered....well it made me a have a lump in my throat and eyes a tad watery.
The whole movie is tight and the story flows quite nicely along, and is refreshing to watch a film that does not involve family melodramatics. Having a caused some controversey with Zeenat Aman in a skimpy bikini running out of the sea, man, see some of the stripper shows now! I have the greatest of admiration for Feroz Khan for producing a film that respects the maturer audience and delivers a fast paced, slick, fun action movie. Only he can produce a film that has both class AND cheese. Each role has presence and character, and its this character which I think is sorely missing in modern Bollywood. You try and replicate this film with a modern cast, there's no way it would hold up. The script has some cracking and poingant lines that still hold up today. The only donwside to the film are some of the comic relief moments, although welcoming, are not as funny, but slightly annoying. The soundtrack ranks as one of the best, each song is a classic and to this day are still fondly remembered by all. The favourite for me is Laila, possibly the best introduction with its crescending drum beats to Kanchans vocals.
The highlight for me though was the worst case of road rage mentioned at the start, where Vikram is blocking the road talking to Rajesh. Amar by typical Bollywood coincidence behind blowing the horn wanting to get past. Vikram obviously doesn't like this and curses at him. Remember when I said you dont screw with guys from this era, well what happens as a result is Amar shoving Vikram through every window of his car. Nice.
I was brought up with this film, I continue to watch this film every year at least twice and will continue to do so and I will even force my kids one day to watch this! It contains my favourite singer, my favourite song and my favourite music director. Mr Feroz Khan - I salute you!
Memorable quotes:
"Shut up you bastaaaard.."
"Am I following you, or are you follwing me!!!???"
"Well you certainly arent God, and are not acting like a man, and Im not afraid of the devil"
"Helloooo Sheela, kya sex hai teri awaz, sexy body, sexy le..."..."BASTARD...mere bhi kya khayal hai...DO YOU FIND ME SEXY?!"